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Chloé Zhao's Nomadland is an astonishing piece a work'”a film that is both simple and profound, a genuine heir to the principled spirit of Italian neorealism. Critic and screenwriter Cesare Zavattini's 1953 essay 'œSome Ideas on the Cinema' arguably best encapsulated the aesthetic and moral imperative of neorealism's cinematic focus on the ordinary and the everyday, and his words feel as if they were written about Nomadland. As Zavattini wrote, 'œThe cinema's overwhelming desire to see, to analyse, its hunger for reality, is an act of concrete homage towards other people, towards what is happening and existing in ... Read More

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