|Director: Lawrence Huntington|
|Screenplay: Emeric Pressburger and Rodney Ackland (additional dialogue by Maurice Cowan; based on the play by Percy Robinson and Terence de Marney)|
|Stars: Eric Portman (Victor James Colebrooke), Dulcie Gray (Anne Fielding), Derek Farr (Jack Williams), Roland Culver (Chief Inspector Conway), Stanley Holloway (Sgt. Sullivan), Barbara Everest (Mrs. Colebrooke), Bonar Colleano (Cpl. Nick Mappolo), Jenny Laird (Jeannie McLaren), Kathleen Harrison (Florrie), Bill Shine (Det. Ellis), Viola Lyel (Mabel Cooper)|
|MPAA Rating: NR|
|Year of Release: 1946|
|Country: U.S. / U.K. |
Wanted for Murder is an engaging police procedural that pits New Scotland Yard against a serial strangler. The strangler, an aristocratic businessman named Victor James Colebrooke (Eric Portman), is compelled by his increasingly delusional belief that he is haunted by his grandfather, a notorious, Queen Victoria-era executioner known as “The Happy Hangman,” who is enshrined in Madame Tussaud’s wax house of horrors, which he frequently visits. Victor lives with his doting mother (Barbara Everest), a widow who has no idea that her son is a serial killer who preys on young women, although there are strong intimations that his violence has been passed down through the generations and that she is living in willful denial.
Based on the play by Percy Robinson and Terence de Marney, who together penned a number of mid-20th-century stage thrillers, Wanted for Murder splits its narrative among three interrelated subplots: Victor’s struggle with his slipping mind and murderous impulses; the growing romance between Jack Williams (Derek Farr), a good-natured bus attendant, and Anne Fielding (Dulcie Gray), a sweet young woman who is dating Victor; and the investigation being headed up by Scotland Yard Chief Inspector Conway (Roland Culver), a determined, no-nonsense professional with good instincts who is nonetheless surrounded by incompetents who provide the film with a healthy dose of dark comic relief (at one point the investigators lose a cigar—a potentially crucial piece of evidence—because one of the detectives smokes it).
Conway is smart and resolute, and part of the film’s pleasure is the cat-and-mouse game he plays with Victor, who is brought in for questioning several times and quickly becomes a primary suspect even though there is a lack of physical evidence connecting him to the murders. Conway senses that Victor’s charms are superficial covering for something much darker underneath, which Anne does not sense even as she feels herself being drawn to Jack and away from Victor. This, of course, puts her in serious danger of becoming Victor’s next victim, and the film not surprisingly climaxes with exactly that scenario.
Director Lawrence Huntington was a genre specialist who already helmed 17 features since the early 1930s, most of which were mysteries and crime thrillers like Passenger to London (1937), Death Cell (1941), and Tower of Terror (1941). He arguably made his best films in the late 1940s—Night Boat to Dublin (1946), When the Bough Breaks (1947) and Mr. Perrin and Mr. Traill (1948)—and continued to work into the late 1960s, although he spent most of the ’50s directing episodes of television series like The Errol Flynn Theatre and O.S.S.. His work on Wanted for Murder is typical of his efficient and effective low-budget style, which makes good use of actual London locations and eschews anything overtly flashy. Huntington was also known for his work with actors, and he elicits excellent performances here, especially Eric Portman’s sly portrayal of a struggling psychopath who is nevertheless capable of “walking among us.” Dulcie Gray is a bit too sweet and generous for her own good, and Derek Farr does what he can with a relatively dull role. Roland Culver, on the other hand, is able to sink his teeth in the Chief Inspector role, giving a deliciously sardonic edge to his tenacious pursuit of the killer.
|Cast a Dark Shadow / Wanted for Murder Blu-ray|
|Aspect Ratio||1.66:1 (Cast a Dark Shadow) / 1.33:1 (Wanted for Murder)|
|Audio||English Linear PCM 1.0 monaural (both films)|
|Distributor||Kino Lorber / Cohen Media Group|
|Release Date||April 27, 2021|
| Cast a Dark Shadow and Wanted for Murder are housed on the same Blu-ray disc, which means that the bitrate has been comprised in favor of space efficiency. Both films are billed as being new 2K restorations by the Cohen Film Collection, although Cast a Dark Shadow was apparently restored in conjunction with the British Film Institute. Not surprisingly, it is the better looking of the two films in terms of visual quality, although Wanted for Murder looks pretty good, as well. Both films boast relatively clean transfers with a good presence of grain that looks very nice and natural in motion. As both are moody black-and-white thrillers, shadow detail and contrast are of particular importance, and both films look good in this department. Blacks on Wanted for Murder are not quite as consistent, with some scenes leaning more toward the grayish, while Cast a Dark Shadow maintains a relatively strong consistency in its dark areas. Both films feature Linear PCM monaural soundtracks that are good for their age. There is some ambient hiss on both films and the tracks are a bit thin at times, but they work for the material. Unfortunately, there are no supplements included outside of a trailer for each film, which is a shame since both with benefit from some historical and artistic context. |
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All images copyright © Kino Lorber / Cohen Media Group