| Having already honed and perfected their unique brand of guerilla comedy in their long-running Kentucky Fried Theater and 1977’s The Kentucky Fried Movie (which was directed by John Landis), it was finally time for the ZAZ team (brothers David and Jerry Zucker and their childhood friend Jim Abrahams) to make their own feature-length movie. The possibility of pulling it off seemed slim, as they were working with a small budget, and their previous attempt at lengthy comedy, the “Fistful of Yen” segment in The Kentucky Fried Movie, was its weakest part. Yet, with Airplane! they scored a huge success. An ingenuous parody of high-concept disaster movies like Zero Hour (1957), Airport (1970), Terror in the Sky (1971), and Airport 1975 (1975), Airplane! is a nonstop assault of sight gags, silly verbal puns, and pop culture references. Although this kind of comedy has become de rigueur since then, its over-the-top gusto was something entirely new in 1980, and audiences ate it up. The plotline is typical of airline disaster movies: A flight from Los Angeles to Chicago, populated with an eclectic mix of American types, seems destined for tragedy when food poisoning brings half of the passengers to the brink of death, including the two pilots and the navigator. In a hokey, melodramatic turn, one of the passengers, Ted Striker (Robert Hays), is a war pilot who has not been able to get over a failed mission that killed his entire squadron. He is on the plane because he followed his girlfriend, flight attendant Elaine Dickinson (Julie Hagerty), who is trying to leave him after becoming fed up with his lack of responsibility and inability to hold a job. The key to Airplane!’s success is the ways Abrahams, Zucker, and Zucker work within the accepted boundaries of the disaster genre to create the laughs. Some of the scenes are played ludicrously straight, such as the big confrontation scene between Ted and Elaine in the airport at the beginning of the film in which she explains her inability to stay with him and he keeps pleading that he can change while the tragic, romantic music swells in the background. The dialogue is right out of any Irwin Allen Grand Hotel-like disaster flick, but the ZAZ team give it their unique spin by tacking on an unexpected punchline. They pull a real coup by getting well-known actors to fill the various roles, which gives the movie a legitimate feel, but also works comedically. Thus, seeing Leslie Nielsen, then a serious actor known mainly for his roles as authority figures in the 1950s and ’60s, playing the ridiculously serious Dr. Rumack, gives the role an added edge. His lines would be funny in and of themselves, but they become virtually sublime in their hilarity because Leslie Nielsen is the one delivering them in his deadpan style. The same goes for Peter Graves, who is described in Baseline’s Encyclopedia of Film as having “made a long career out of being stolidly dignified and competent.” As Captain Clarence Oveur, he is exactly the opposite, especially as he is given to saying the most incredibly inappropriate things to children. Lloyd Bridges, trading on his tough-guy persona in Westerns and the TV series Sea Hunt (1958–61) plays the chain-smoking, hard-drinking, amphetamine-taking, glue-sniffing airport controller Steve McCroskey to grizzled perfection. However, perhaps best of all is the eternally serious and grave-voiced Robert Stack (best known for playing Eliot Ness in the TV series The Untouchables from 1959 to 1963) as Captain Rex Kramer, one of Striker’s old war pilots who is brought in to help him land the plane. Airplane! grabs you from the opening moments and doesn’t let up for 90 minutes. The best jokes come from the way the ZAZ team takes the familiar and twists it just enough to become outrageous. They seem especially giddy in using children and elderly women as the butt of inappropriate jokes, as well as filling the background with all kinds of unexpected sight gags, many of which you might not even notice without multiple viewings. They turn airport recordings about parking zones into a battle over abortion, they manage to work Ethel Merman into a joke inside a mental institution, and they exploit language conventions to the nth degree by constantly allowing for double meanings and unexpected interpretations whenever a character opens his or her mouth (the best is, of course: “Surely, you can’t be serious.” “I am serious. And don’t call me Shirley.”). Never has a movie been more in love with homophones and literalism. As unlikely as it was, Airplane! became a huge hit and is now considered a comedy classic (the American Film Institute listed it in the top 10 of their 100 best comedies). Many have tried to emulate its brand of humor, including several later attempts by various members of the ZAZ team, but none of them have quite reached Airplane!'s level.
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Overall Rating: (3.5)
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