|Director: John Lasseter and Andrew Stanton
|Screenplay: Andrew Stanton & Don McEnery & Bob Shaw
|Voices: Dave Foley (Flik), Kevin Spacey (Hopper), Julia Louis-Dreyfus (Princess Atta), Hayden Panettiere (Dot), Phyllis Diller (Queen), Richard Kind (Molt), David Hyde Pierce (Slim), Joe Ranft (Heimlich), Denis Leary (Francis), Jonathan Harris (Manny), Madeline Kahn (Gypsy), Bonnie Hunt (Rosie), Michael McShane (Tuck/Roll ), John Ratzenberger (P.T. Flea)
|MPAA Rating: G
|Year of Release: 1998
A Bug’s Life, the sophomore feature-length computer-animated film from Pixar Studios, is pure joy: Not only is it as whimsical, funny, and downright entertaining as their first effort, 1995’s Toy Story, but it builds substantially on that film’s visual palette, creating a world of textures and surfaces that holds up extremely well a decade later. With 10 straight box-office and critical hits to their credit, it has become all too easy to take Pixar’s hit-making genius for granted and thus forget how risky A Bug’s Life was at the time, not only in terms of pushing the technological envelope, but also in terms of living up to the success of Toy Story and proving that computer-animated films were the future, not a one-shot fluke.
The underdog-fueled story concerns an anthill that is under the control of a group of menacing grasshoppers, led by the maniacal Hopper (voiced with sadistic glee by Kevin Spacey). The grasshoppers demand that the ants supply them with food, and as Hopper makes clear, this is not about eating, but about domination. Fed up with living under the grasshopper’s fascistic control, Flik (Kids in the Hall vet David Foley), the anthill’s clumsiest resident, comes up with an idea: recruit some bigger bugs to fight for the ants and drive away the grasshoppers. Nobody in the anthill buys this idea, least of all Princess Atta (Julia Louis-Dreyfuss), who is being trained by the Queen (Phyllis Diller) to someday take her position. But, Princess Atta realizes that if Flik is out recruiting bugs (which she assumes will be a failed attempt), he will at least be out of the way and won’t be able to cause any more trouble.
So, Flik sets off to recruit warrior bugs, and comes back instead with a group of circus bugs who he mistakenly thinks are warriors (if this plot sounds familiar, think of the 1986 Steve Martin-Chevy Chase-Martin Short comedy Three Amigos! as an animated movie about insects). The circus bugs, who have recently been fired from a traveling circus run by P.T. Flea (John Ratzenberger), are a motley group of lovable misfits. They include Slim (David Hyde Pierce), an anal-retentive walking stick; Heimlich (Joe Ranft), an overweight caterpillar; and Francis (Denis Leary), an ultra-masculine ladybug with an anger-control problem. Of course, once the circus bugs realize that they have been recruited to fight rather than perform, they try to get out of the arrangement. But, like the decent bugs they are, they eventually realize that they are needed, and they become part of the ant community as they work together to construct an elaborate fake bird to scare off the grasshoppers.
A Bug’s Life is a marvel on a number of levels. It is a wonderfully told story, unspooling with economy and charm (not a single scene or line of dialogue is wasted). The characters are fully created, but the enjoyment comes from watching how they work together to form a cohesive whole. None of the characters on their own are particularly enchanting (Flik, especially, is one of the more boring lead characters in a Pixar film), but that’s the point. This is an ensemble piece, and none of the characters overshadow any of the others.
Of course, it wouldn’t be right to discuss A Bug’s Life without noting what an astounding technical achievement it is. Like all of Pixar’s films, from Toy Story to WALL•E (2008), it is a visual marvel that took years of painstaking work by an army of dedicated craftsmen and artists who were clearly in love with the material, resulting in an experience that can be enjoyed again and again, with the eye catching something new each time. The details are endless, from the familiar-but-alien-in-close-up texture of tree bark, to the way that light filters through the semi-translucent layers of a leaf. Like the best animated films, A Bug’s Life creates a new world for its characters to inhabit and brings the audience right into the middle of it.
|A Bug’s Life 2-Disc Blu-Ray Set|
|This two-disc set includes a digital copy of the film along with the Blu-Ray disc.|
English DTS-HD Master Audio 5.1 surround
French Dolby Digital 5.1 surround
Spanish Dolby Digital 5.1 surround
|Subtitles|| English, Spanish, French|
Introduction by John Lasseter
“Filmmakers Roundtable” featurette
A Bug’s Life: The First Draft” featurette
Geri’s Game Pixar’s Oscar-winning Best short film
Grasshopper and the Ants (1934)
Story and Editorial
Storyboard To Film Comparison
Behind the Scenes of A Bug’s Life featurette
|Distributor||Walt Disney Studios Home Entertainment|
|Release Date||May 19, 2009 |
|VIDEO & AUDIO|
|Back in 1999, A Bug’s Life was notable for being the first direct digital-to-DVD transfer, and it still looks extremely good. However, the 1080p high-definition resolution on this Blu-Ray disc (again taken directly from the digital master) takes the film’s visuals to a new level, giving added depth and detail to the already flawless image. It looks so good that I was constantly tempted to pause the film just to admire it and soak in the details. The film’s bright, leafy colors look extremely good, and detail is superb throughout, even in the darker scenes underground and in the insect city. The DTS-HD Master Audio 5.1 surround track is also superb, with great fidelity, directionality, and ambient effects to draw you into our world as seen through the eyes of insects.
|Given the wide range of supplements originally included on the 1999 two-disc DVD edition, there are only a few new bits that have been added to this Blu-Ray release. Director John Lasseter contributes a brief introduction and then joins codirector/cowriter Andrew Stanton, producer Darla Anderson, and coproducer Kevin Reher for the “Filmmakers’ Roundtable” (21 min.), where they tell funny stories about the film’s production (including their trip to Camp David to prescreen the film for then-President Clinton). The most intriguing new supplement, however, is “The First Draft,” an 11-minute rough-animation version of the film’s original story narrated by Dave Foley that allows you to see what the film might have been like had they not made the decision to make Flik the main character. The Blu-Ray disc also affords access to the Disney BD-Live Network, which contains a ton of other features and activities, and there is also a second disc with a digital copy of the film. The bright spots held over from the DVD include the “Outtakes,” which are uniformly hilarious; the extensive design galleries; the storyboard-to-film comparison; the highly detailed featurettes about the production process; and the relaxed but informative audio commentary by Lasseter, Stanton, and editor Lee Unkrich. It was also nice to see the inclusion of the 1934 Disney “Silly Symphony” Grasshopper and the Ants, in addition to Geri’s Game, Pixar’s hilarious Oscar-winning short film, which is now presented in HD. Unfortunately, a few of the features that appeared on the Collector’s Edition DVD, including the featurette that showed how the widescreen film was “recomposed” for video release and the isolated music and effects tracks, have been dropped, so purists may want to hold on to their copies.
Overall Rating: (4)
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