Meet the Parents

Director: Jay Roach
Screenplay:Jim Herzfeld and John Hamburg (story by Greg Glienna & Mary RuthClarke)
Stars: Ben Stiller (Greg Focker), Robert De Niro (Jack Byrnes), Blythe Danner (DinaByrnes), Teri Polo (Pam Byrnes), Nicole DeHuff (Debbie Byrnes), Jon Abrahams (DennyByrnes), James Rebhorn (Larry Banks), Phyllis George (Linda Banks), Owen Wilson(Kevin Rawley)
MPAA Rating: PG-13
Year of Release: 2000
Country: USA
Meet the Parents Poster

For Greg Focker (Ben Stiller), the earnest, put-upon hero of Meet the Parents,absolutely nothing goes right from the very beginning. First of all, his attempt to propose to his girlfriend, Pam (Teri Polo), is interrupted by a cellphone call from Pam's sister, Debbie (Nicole DeHuff), that she just got engaged andwill be getting married in two weeks. Greg decides to hold off on the proposal until he's met Pam's parents, because hegets the feeling that Pam's father is an old-fashioned sort who would appreciate his askingfor approval first.

Two weeks later, Greg and Pam travel to Pam's home on Long Island for Debbie's wedding.This is Greg's time to shine, a weekend to impress Pam's parents and demonstrate that heis more than worthy of asking her hand in marriage. Greg has no problems winning overPam's mother, Dina (Blythe Danner), who is sure from the start that Greg is a good guy.Pam's father, Jack (Robert De Niro), is a whole other story.

Strike one against Greg is his name. "Interesting last name," Dina says tentatively whenthey first meet. "How do you pronounce it?" "Exactly like it's spelled," Greg replies in theweary voice of a man who has spent more than 30 years dealing with the fact that his lastname sounds almost exactly like a variation of the most obscene four-letter word in theEnglish language.

Strike two against Greg is his profession: He's a male nurse. "Not a lot of men in yourprofession, are there Greg?" Jack asks. Of course, as Seinfeld would say, there's nothingwrong with being a male nurse, but the fact that both Debbie's fiancé, Bob, andBob's father (James Rebhorn) are doctors doesn't make the situation any easier.

Strike three against Greg is the fact that he smokes, which Jack sees as a sign of weakness.Thus, he spends the whole film chewing wads of nicotine gum. The gum eventuallybecomes a measure of Greg's increasingly desperate situation: the more gum he chews, theworse he's doing.

Strike four against Greg is his dislike of cats. Jack is enamored of Mr. Jinks, their pet catwho he has trained to use the toilet. During their initial meeting, Pam blurts out that Greghates cats, something he spends the rest of the movie trying to deny. "I just prefer dogs," ishis rather weak-sounding rationale.

Strike five against Greg is the fact that the airline has lost his luggage, so he is forced to borrowill-fitting clothing from Pam's pot-head younger brother. Strike six is a scene in which heopens a bottle of champagne and destroys the urn that holds the ashes of Jack's dearlydeparted mother. Strike seven is the fact that the best man in Debbie's wedding is Kevin(Owen Wilsen), Pam's ultra-rich ex-fianc* who Jack obviously favors. Strike eight is a scenein which Greg gets a little overzealous in playing water volleyball and gives the bride-to-bea black eye. And so on and so forth.

Basically, Greg can't do anything right, and the harder he tries, the deeper he digs himself in.Of course, his quest for acceptance is not aided by Jack, a hard-nosed man with a frankdisposition and a minimal sense of humor. He has a set of inviolable standards, each one ofwhich Greg is, of course, sure to violate. And, no matter what Greg says, Jack will analyzeit, question it, and eventually reinterpret it, such as his rendering of Greg's affinity for dogsinto a need for an "emotionally shallow" animal that's "easy to break."

De Niro plays Jack in broadly comic fashion, sometimes going a bit overboard, such as thescene in which he makes all kinds of perplexed facial expressions at Greg's attempt to saygrace during dinner. Still, like his role in Analyze This (1999), De Niro's screenexperience and the natural gravity he carries as an actor lends weight to the role. Simplyput, it's hard not to take De Niro seriously in any role.

Ben Stiller continues to perfect the art of playing exasperated roles of comicembarrassment. His purpose in Meet the Parents is to offer a readily identifiablecharacter with whom the audience can empathize--and then wince and shudder with wheneverything goes wrong. While they are some broad, slapstick laughs in Meet theParents, much of the laughter is of the painful sort because Greg is constantly going inthe reverse direction. Rather than impressing Pam's parents, he continually upsets them.

Directed by Jay Roach's (Austin Powers), Meet the Parents generates mostof its laughs in the give-and-take between Stiller and De Niro. There are some broad comicmoments, including the obligatory gross-out scene involving an overflowing septic tank, butthe most consistently funny scenes are the ones in which Greg and Jack go head to head.Of course, Greg can't gain any ground, and that's part of the humor: He's literally spinninghis wheels. Of course, Meet the Parents is also a romantic comedy, thus there islittle surprise at the reconciliation in the end. Still, it ends on a hilarious note (potentiallyruined, I might add, by its inclusion in the trailer) that suggests that Greg and Jack'srelationship is still far from cemented.

Meet theParents: Collector's Edition DVD

AspectRatio1.85:1
AnamorphicYes
AudioDolby Digital 5.1 Surround
DTS 5.1 Surround
LanguagesEnglish (DD5.1, DTS 5.1)
French (DD 5.1)
SubtitlesEnglish
SupplementsCommentary with director Jay Roach and editor John Poll
Commentary with director Jay Roach, coproducer Jane Rosenthal, and stars Ben Stiller andRobert De Niro
"Spotlight on Location" featurette
Two deleted scenes with commentary
Outtakes
Lie Detector Test
Forecaster Game
Production Notes
Cast and crew biographies and filmographies
Original theatrical trailer
DVD-ROM: Games, Screen Saves, and Wallpaper
DistributorUniversalPictures
SRP$26.99

VIDEO
Meet the Parents is presented in an anamorphictransfer in its original 1.85:1 aspect ratio. This is a solid, quality transfer, although it is notas resolutely sharp and well-defined as some. This is most likely due to the cinematographyby Peter James, which goes for a softer look, especially in the outdoor scenes that aredominated by natural sunlight. The colors are strong and well-saturated throughout, andflesh tones appear natural. Some fine grain is apparent in the darker scenes that take place atnight, as well as in the restaurant scene, but it is hardly noticeable and not distracting in anyway. Edge enhancement is minimal to nonexistent.

AUDIO
This DVD is outfitted with both a Dolby Digital 5.1surround track and a DTS 5.1 surround track. As the soundtrack is not particularly flashy interms of sound effects, there is little difference between the two mixes, but both sound great.Dialogue is clear and precise throughout, and Randy Newman's playful, upbeat scoresounds wonderful (as does his Oscar-nominated theme song, "A Fool in Love"). Some ofthe slapstick farce sequences--such as the scene with Greg on the roof of the house causingmass destruction in the backyard by setting it on fire--do make good use of the surroundspeakers. But, overall, this soundtrack is notable for its clarity, subtle efficiency, and lack ofcalling attention to itself.

SUPPLEMENTS
Released under Universal's "Collector's Edition" banner,Meet the Parents has a wide array of supplements, some of which are excellentand some of which are just filler.

First up is not one, but two feature-length, scene-specific audio commentaries. The firstcommentary, with director Jay Roach and editor John Poll, is the better of the two. BothRoach and Poll are very articulate about what they were trying to accomplish in each scene,and they have plenty of amusing background stories and anecdotes about the production tokeep the commentary lively and interesting. The second commentary, which again featuresRoach along with coproducer Jane Rosenthal and stars Ben Stiller and Robert De Niro (whowas also a coproducer), doesn't live up to expectations. This commentary is a bitdisappointing in that the two most anticipated participants, Stiller and De Niro, don't havemuch to offer. De Niro is especially noticed in his silence, and even when Roach tries toelicit comments from him, his responses are usually one or two sentences with little or noelaboration. The one good thing that emerges from this commentary is the sense of what acollaborative project Meet the Parents was. Half the comments revolve aroundwho came up with what aspect of each scene, and it becomes quickly apparent that everyonecontributed something (considering that De Niro and Stiller have both directed moviesthemselves, it's hard to imagine that they wouldn't have input).

The "Spotlight on Location" featurette, which runs about 24 minutes, is a good, but notparticularly outstanding, look at the making of the movie. Filled primarily with scenes fromthe movie intercut with interviews with Jay Roach, Robert De Niro, Ben Stiller, BlytheDanner, Teri Polo, James Rebhorn, and several others, it provides an interesting overviewof the movie as a whole and the various participants' takes on it. As with most of theseproduction featurettes, much of it involves back-slapping about how great everyone was towork with.

The disc includes two brief deleted scenes, both of which are good, but had to be cut forreasons of length and pacing (these are presented in nonanamorphic widescreen, and theirimage quality is rough and unpolished). You can watch these scenes with or withoutcommentary by Roach and Poll. Their discussion of the scenes is fascinating in that theyillustrate how differently directors and editors view deleted material. Poll says upfront that hedoesn't think anyone should see these deleted scenes; as the editor, it is his job to cutmaterial and make the finished product the best it can be. He thinks the movie should speakfor itself. Roach, on the other hand, who actually filmed these scenes, has more of anaffinity for them and doesn't see them as so disposable. He makes an interesting commentthat he now finds it easier to cut scenes because he knows they can be eventually included onthe DVD.

For fans of bloopers, there are 12 minutes of included outtakes that consist chiefly of theactors blowing their lines or cracking up in the middle of scenes (which obviously happeneda lot). In some strange way, it's oddly cathartic watching a seasoned pro like De Niro bustup while filming--it lets you know that he, too, makes mistakes.

In the category of "filler material," the disc includes two thematically related quiz games,"Lie Detector" and "Forecaster." These rather dorky inclusions involve answering yes-or-noquestions that relate to scenes in the movie. The first game purports to determine whether ornot you're lying, while the second determines how well you can suck up to future in-laws.

Lastly, the disc includes a good set of production notes and cast and crew biographies andfilmographies, as well as some DVD-ROM material (more games, screensavers, andwallpaper), as well as the original theatrical trailer, presented in nonanamorphic widescreen.

Copyright © 2000, 2001 James Kendrick



Overall Rating: (3)




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