The Hunger Games

Director: Gary Ross
Screenplay: Gary Ross and Suzanne Collinsand Billy Ray (based on the novel by Suzanne Collins)
Stars: Jennifer Lawrence (Katniss Everdeen), Josh Hutcherson (Peeta Mellark), Liam Hemsworth (Gale Hawthorne), Woody Harrelson (Haymitch Abernathy), Elizabeth Banks (Effie Trinket), Lenny Kravitz (Cinna), Stanley Tucci (Caesar Flickerman), Donald Sutherland (President Snow), Wes Bentley (Seneca Crane), Toby Jones (Claudius Templesmith), Alexander Ludwig (Cato), Isabelle Fuhrman (Clove), Amandla Stenberg (Rue), Willow Shields (Primrose Everdeen)
MPAA Rating: PG-13
Year of Release: 2012
Country: U.S.
The Hunger Games: Complete 4-Film Collection Blu-ray + Digital HD
The Hunger GamesYou can immediately see why Jennifer Lawrence was cast as Katniss Everdeen, the stoic, hardy 16-year-old heroine of The Hunger Games. Lawrence’s Oscar-nominated break-out performance was playing Ree Dolly, the resilient and determined teenage daughter of a missing meth dealer in Winter’s Bone (2010), and in The Hunger Games she is essentially playing the same character: a poor, hardscrabble girl from the outskirts of rural nowhere, except now the story is set 300 years in the future. Lawrence brings to the pulpy material a sense of weight and gravity that few teen actresses could muster; she has a flinty strength that enhances, rather than belies, her soft features, and it makes Katniss a completely believable protagonist.

Based on the best-selling 2008 novel by Suzanne Collins, The Hunger Games takes place in Panem, a North American country that has replaced the United States (in the book, it is specified that climate change and ensuing wars are to blame, but the film leaves the reasons for the dissolution of the good ol’ U.S. of A ambiguous). Panem is divided into 12 districts, each of which is fenced off from the other and each of which contributes to the maintenance of the Capitol, a sprawling, technologically sophisticated metropolis populated by the wealthy and the powerful. Seventy-five years earlier several districts had rebelled against the Capitol, and as a result the government now forces each district to offer up two “Tributes” between the ages of 12 and 18—one boy and one girl—to compete in the annual Hunger Games, where they are released into a controlled environment out of which only one may emerge alive.

The contestants are chosen by random lottery called “The Reaping” and then whisked away to the Capitol for two weeks of intensive training and media scrutiny before they are set loose to kill and be killed, all of which is broadcast live and is all but compulsory viewing for the nation. Katniss becomes the female representative for her poor, coal-mining district (it looks a lot like Appalachia) when she volunteers to take the place of her younger sister, Primrose (Willow Shields), who she has nurtured since her father’s death and her mother’s subsequent emotional vacancy. The other contestant from her district is Peeta Mellark (Josh Hutcherson), a shy baker’s son who admits during an interview that he has a crush on Katniss, which means that they are cast as star-crossed lovers, despite the fact that Katniss, until the games at least, has no interest in him. They are both mentored by Haymitch Abernathy (Woody Harrelson), a former contestant and survivor who clearly detests the games and all that they stand for, but has no choice but to play along. He recognizes in Katniss a potential winner, not just because of her superb bow-hunting skills and knowledge of nature, but because of her sheer determination.

Futuristic duel-to-the-death scenarios are nothing new to the science fiction genre, and their consistent presence in films as varied as Roger Corman’s Death Race 2000 (1975) and Kinji Fukasaku’s Battle Royale (2000) suggest a fundamental fear that society is going to revert to a more savage past, a past we feel we’ve transcended. Those sniffing for allegory in The Hunger Games will find plenty to gnaw on here, although the film is so ideologically vague that it easily fits into dire warnings of both unchecked governmental power (score one for the Right!) and unchecked private wealth and privilege (score one for the Left!). Donald Sutherland’s cagey President Snow certainly seems like a chilly stand-in for conservative indifference to the plight of the downtrodden (his speech dismissing the allure of underdogs is chilling), although the manner in which the districts are depicted as working for the “common good” that only benefits a storied elite suggests the typical failure of communist states. Whether the film is a conservative or liberal cautionary tale is really up to the individual viewer (it could play as an interesting litmus test for which ideological goggles you use to watch pop culture), although it clearly castigates the fundamental inhumanity of the system into which Katniss and the others are thrown.

At one point Peeta says that he doesn’t want to be changed, that is, he wants to stay human. Every aspect of the Hunger Games is designed to dehumanize the Tributes—to essentially turn them into game pawns for the audience’s bemusement. The decadent elites who live in the Capitol are depicted as self-dehumanizing, having embraced a lifestyle of grotesque pageantry and materialistic overkill that leaves no room for empathy or even decency; they dress in absurd fashions that recall the Victorian era crossed with ’80s New Wave excess, and the production design brings to mind the postmodern depravity of Stanley Kubrick’s A Clockwork Orange (1971). Stanley Tucci’s blue-haired, square-toothed master of ceremonies Caesar Flickerman is a media titan who interviews the contestants as if they were facing a beauty pageant, rather than certain annihilation. Even more perverse is Elizabeth Banks’s trilling PR agent Effie Trinket, who treats the Games with all the gravitas of a child’s birthday party. In order to compete, the contestants must be recast in the image of the wealthy and powerful via extensive make-overs that ironically dehumanize them further by turning their unique personal qualities into easily digestible signifiers that are no more meaningful than different colors on athletic uniforms. The fact that the contestants are adolescents, some so young they have barely entered puberty, makes it all the more horrifying.

This is where The Hunger Games gets into tricky territory. Like Collins’s novel, the film is aimed primarily at an adolescent audience, which means that director Gary Ross (who co-scripted with Collins and Billy Ray) is in the position of potentially having to pull some punches in depicting the ghastly scenario in order to bring it in under the marketable PG-13 umbrella. To his credit, Ross (Pleasantville, Seabiscuit) does an excellent job of conveying the horrors of children killing children without having to get explicitly graphic. The best moment in The Hunger Games—the point that truly captures the abject dread its characters face—is when the games first begin. The 24 boys and girls are lifted up through underground portals onto pedestals in the middle of a field. At a distance in front of them is a pile of weapons and supplies, and they must wait for a countdown to complete before they can leap off their pedestals and either run for the supplies or run for their lives. The tension is palpable, and Ross enhances the intensity by dropping out almost all sound as the contestants make their breaks, with many of them meeting a quick and grisly end as the stronger, better trained contestants get to the weapons first and hack them to death. It’s a truly horrifying scenario, and it sticks with you for the rest of the film, even when the violence is left entirely off-screen.

The Hunger Games Complete 4-Film Collection
The Hunger Games is available as part of “The Hunger Games Complete 4-Film Collection” boxset, which also includes Catching Fire (2013), Mockingjay—Part I (2014), and Mockingjay—Part 2 (2015). All four films are also available on Blu-ray and DVD separately.
Aspect Ratio2.40:1
Audio
  • English DTS-HD Master Audio 7.1 surround
  • English Dolby Digital 2.0 surround
  • Spanish Dolby Digital 5.1 surround
  • SubtitlesEnglish, Spanish
    SupplementsThe Hunger Games

    On Separate Blu-ray Disc:

  • The World is Watching: Making The Hunger Games making-of documentary
  • “Game Maker: Suzanne Collins and The Hunger Games Phenomenon” featurette
  • “Letters from the Rose Garden” featurette
  • “Controlling the Games” featurette
  • “A Conversation with Gary Ross and Elvis Mitchell” featurette
  • “Preparing for the Games: A Director’s Process” featurette
  • “Propaganda Film” featurette
  • Theatrical trailers
  • Poster gallery
  • Photo gallery.

    On Complete 4-Disc Collection Bonus Disc:

  • The World is Watching: Making The Hunger Games documentary
  • “Game Maker: Suzanne Collins and The Hunger Games Phenomenon” featurette
  • “Letters from the Rose Garden” featurette
  • “Controlling the Games” featurette
  • “A Conversation with Gary Ross and Elvis Mitchell” featurette
  • “Preparing for the Games: A Director’s Process” featurette
  • “Propaganda Film” featurette
  • “Stories from the Tributes” featurette
  • “Casting the Tributes” featurette
  • “Tribute Video Diaries” featurette
  • “Photo Album” featurette
  • “Stunts of The Hunger Games” featurette
  • “Capitol Couture: The Styles of Panem” featurette
  • “Weapons of the Arena” featurette
  • “Effected: The Visual Artwork of The Hunger Games” featurette
  • “Feast and Famine: Creating the Food for The Hunger Games” featurette
  • “On the Black Carpet: The Hunger GamesPremiere” featurette
  • 12 deleted scenes
  • Theatrical trailers
  • Tribute biographies
  • Poster gallery
  • Photo gallery

    The Hunger Games: Catching Fire

    On Blu-ray Disc:

  • Audio commentary by director Francis Lawrence and producer Nina Jacobson.
  • Surviving the Game: Making The Hunger Games: Catching Fire making-of documentary
  • Deleted scenes

    On Complete 4-Disc Collection Bonus Disc:

  • “The Alliance: Returning Cast” featurette
  • “Friend or Foe: New Cast” featurette
  • “One Vision: A Faithful Adaptation” featurette
  • “The Look of The Hunger Games: Catching Fire” featurette
  • “The Quarter Quell Cast” featurette
  • “Bringing Panem to Life” featurette
  • “Taking Aim: Stunts and Weapons” featurette
  • “The Quell: On Location in Hawaii” featurette
  • “Battling the Clock Arena” featurette
  • “Capitol Cuisine” featurette
  • “Inside District 12: The Hob” featurette
  • Deleted scene
  • Coldplay “Atlas” music video

    The Hunger Games: Mockingjay–Part 1

    On Blu-ray Disc

  • Audio commentary by director Francis Lawrence and producer Nina Jacobson
  • “Hope and Rebellion: Continuing the Saga” featurette
  • “Designing Dystopia: Visual Aesthetic” featurette
  • “Rebels and Warriors: The Cast” featurette
  • “Fusing Form and Function: Costume, Make-Up and Hair” featurette
  • “Fighting the System: Shooting on Location” featurette
  • “D13: Rebellion Tactics: Stunts and Special Effects” featurette
  • “Perfecting Panem: The Post-Production Process” featurette
  • “Straight from the Heart: A Tribute to Philip Seymour Hoffman” featurette
  • “Songs of Rebellion: Lorde on Creating the Soundtrack” featurette
  • Deleted scenes
  • Lorde “Yellow Flicker Beat” music video

    On Complete 4-Disc Collection Bonus Disc:

  • “Rubble and Ashes” featurette
  • “Utilitarian Chic” featurette
  • “The Propos Team” featurette
  • “Combat Zone” featurette
  • “Katniss Propo Video” featurette
  • “Picturing Panem” photo gallery

    The Hunger Games: Mockingjay–Part 2

    On Blu-ray Disc:

  • Audio Commentary by director Francis Lawrence and producer Nina Jacobson
  • “Walking Through Fire: Concluding the Saga” featurette
  • “Real or Not Real: Visual Design” featurette
  • “High-Value Targets: The Acting Ensemble” featurette
  • “From Head to Toe: Costume, Make-up & Hair” featurette
  • “Navigating the Minefield: Production in Atlanta, Paris & Berlin” featurette
  • “Collateral Damage: Stunts, Special Effects & Weapons” featurette
  • “Tightening the Noose: The Post-Production Process” featurette
  • “A Different World: Reflections” featurette
  • The Hunger Games: A Photographic Journey” featurette
  • “Cinna’s Sketchbook: Secrets of the Mockingjay Armor” featurette
  • “Panem on Display: The Hunger Games: The Exhibition” featurette
  • “Jet to the Set” TV special
  • DistributorLionsgate
    SRP$64.97 (boxset)
    Release DateMarch 22, 2016

    VIDEO & AUDIO
    The first three films in the “Complete 4-Film Collection” Blu-ray boxset are simply repackaging of the previously existing discs, which have already been thoroughly reviewed, so I will limit this discussion to the one new disc in the set, Mockingjay–Part 2. Unlike its immediate predecessor, Part 2 is a much more open film in terms of location (Part 1 took place primarily underground and at night, which made it the darkest and moodiest of the four films). Part 2 has action that takes place all over—from the ashen, bombed-out streets of the Capitol, to the snow-covered Presidential Mansion and its golden-hued interiors, to the verdant forests of District 12. The 1080p/AVC-encoded transfer handles all of the visuals extremely well, with plenty of detail and contrast. The film was shot digitally on the Arri Alexa, so it definitely has a hard-edged look to it, but it is in keeping with the overall aesthetic of last two films in the series (The Hunger Games and Catching Fire were both shot on 35mm celluloid, which gives them a slightly different look from the two Mockingjay films). Black levels and shadow detail are good, which benefit those creepy scenes down in the Capitol sewer, although at times the frame is a bit too dark and murky. As with the Blu-ray for Part 1, Mockingjay–Part 2 includes a stellar Dolby Atmos surround soundtrack (although it does not have the DTS HeadphoneX track). The film’s action sequences are fully immersive, with bullets and debris whizzing by you from all directions, and the explosions have a chair-rattling thunder to them. The soundtrack is also excellent in the quieter, more discreet moments, such as the suspenseful build-up to the action in the sewer. All in all, an excellent technical presentation.
    SUPPLEMENTS
    Where, oh where, to begin? Let’s just say that the six-disc “Complete 4-Film Collection” Blu-ray boxset has enough supplementary material to keep diehard Hunger Games fans busy (the press release notes that there are more than 14 hours of supplements included, a good chunk of which is new to this release). Since the Hunger Games, Catching Fire, and Mockingjay–Part 1 discs are all repackaged from their initial releases, they also include all of the original supplements (The Hunger Games actually has a separate Blu-ray disc with all of its supplements, while the next two films have the movie and supplements sharing a single disc). The boxset also includes the newly released Mockingjay–Part 2 and all of its supplements, as well as a separate “Bonus Features” disc of supplements that, somewhat confusingly, duplicates some material from the original releases in addition to adding a bunch of new stuff. To keep this review manageable, I will be focusing only on the supplements on the Mockingjay–Part 2 disc and the new material on the “Bonus Features” disc.

    As with Catching Fire and Mockingjay–Part 1, Mockingjay–Part 2 includes an informative audio commentary by director Francis Lawrence and producer Nina Jacobson, who once again talk through the enormity of the production process and how the film came together. Their discussion is lively and engaging and packed with detail that fans of the series will appreciate.

    Also in keeping with the previous Hunger Games discs, this one has a massive making-of documentary. Under the title Pawns No More: The Making of The Hunger Games: Mockingjay–Part 2, it is composed of eight separate featurettes, which together run nearly two and a half hours. All of the featurettes include extensive behind-the-scenes footage and interviews with almost every major figure from the cast and crew. “Walking Through Fire: Concluding the Saga” focuses on the film’s narrative and how the final installment draws together all of the series’ pertinent themes; “Real or Not Real” focuses on the film’s visual design, beginning with the actual design process and anaimatics and then how the world of the film was brought to life in terms of physical locations, created sets, and practical and digital effects; “High-Value Targets” looks at the always impressive cast assembled for the film, while “From Head to Toe” shows us how they were made up into their unique characters through make-up and costuming; “Navigating the Minefield” explores the extensive physical location work (usually augmented with huge blue and green screens) in and around Atlanta, Paris (which provided both a chateau and housing projects), and Berlin (which provided abandoned military barracks that were turned into the bombed-out Capitol); “Collateral Damage” gives us a behind-the-scenes look at the film’s stunts and special effects; “Tightening the Noose” surveys the extensive post-production process; and, finally, “A Different World” offers reflections on the series and its popularity and impact.

    The Hunger Games: A Photographic Journey” is a fascinating interview with on-set photographer Murray Close, whose career began with Stanley Kubrick’s The Shining (1980). He talks about what it’s like working as a photographer on the sets of some of Hollywood’s biggest films (in addition to all of the Hunger Games films, he has worked on Tim Burton’s Batman, several Spielberg films including Indiana Jones and the Last Crusade and Jurassic Park, and several entries in the X-Men and Harry Potter franchises), as well as the differences between film and digital and how he works with the film’s cinematographer to capture both publicity stills and behind-the-scenes images. “Cinna’s Sketchbook: Secrets of the Mockingjay Armor” is an interview with costume designers Bart Mueller and Kurt Swanson about the design book, briefly glimpsed in the movie, that Cinna created for Katniss’s Mockingjay armor and their work on that costume, while “Panem on Display: The Hunger Games: The Exhibition” is a very brief look at the elaborate, multimedia Hunger Games exhibition that opened in 2015 at San Francisco’s Palace of the Fine Arts and the reaction of the film’s cast and crew to experiencing it. And, finally, the disc includes Jet to the Set, a 41-minute television special that aired on CBS prior to the film’s release. Hosted with much fanfare by Entertainment Tonight’s Carly Steel and Hot in Hollywood’s Laurie Feltheimer, it is a kind of behind-the-scenes travelogue that takes you to the film’s primary locations throughout Atlanta, including The Victor’s Training Center, President Snow’s Mansion, and the 75th Hunger Games Cornucopia, as well as the various places throughout the city where the stars dined and shopped while they weren’t working on the film.

    Now, on to the “Bonus Features” disc, which houses several hours worth of new supplementary material covering various aspects of the first three films in the series. The vast majority of this material is new to the boxset, although some of it is repeated from earlier Blu-ray releases. From the list above, you can see that there is a lot of stuff here, so I will restrict myself to hitting a few of the highlights of what is new and notable for each film.

    For The Hunger Games, “Tribute Video Diaries” is an interesting 17-minute featurette in which seven of the young actors who played tributes in the film recorded video diaries of their experiences during the promotional push between the time when they wrapped filming and the movie’s premiere, while “Stunts of The Hunger Games” shows both rehearsals and behind-the-scenes footage during some of the bigger stunt sequences. And, for fans of Victorian Era-meets-’80s New Wave, there is the 18-minute featurette “Capitol Couture: The Styles of Panem,” which gives a fairly in-depth look at the film’s radical costume designs for the Capital denizens. There are also new featurettes about the weapons in the film, the design of the food we see the characters eating on screen, and visual effects—pretty much every facet of the film’s production is covered in some form or fashion. Probably the biggest new inclusion here, though, are 12 never-before-seen deleted scenes, which together run about 21 minutes. Most of these are direct extensions of scenes already in the film (for example, we see exactly what nightmare Prim was waking from at the beginning) or longer versions of existing scenes, which suggests that most of the footage was cut to trim the running time and help pacing, rather than discard subplots.

    There are also quite a few new supplements for Catching Fire, several of which are definitely worth watching, although most of them are pretty short and don’t go much beneath the surface (remember that there is a 2+-hour making of documentary on the main disc, so that’s not much of a criticism). Of particular interest is the 13-minute featurette “One Vision: A Faithful Adaptation,” in which director Francis Lawrence, producers Nina Jacobson and John Kilik, Scholastic publisher David Levithan, and members of the cast, discuss how hard they worked to stay true to Suzanne Collins’s novel in their adaptation (interestingly, none of the actual screenwriters are interviewed ...). If you combine the 3-minute “The Look of The Hunger Games: Catching Fire” and the 6-minute “Bringing Panem to Life” featurettes, you will have a pretty good exploration of the how the film’s look was put together via costume and production design and visual effects. There is also a never-before-seen deleted scene, but given that it is less than 40 seconds long and never made it past the greenscreen stage, there isn’t much to see there. Fans of Coldplay will appreciate the inclusion of their “Atlas” music video, though.

    And, finally, we arrive at the new material for Mockingjay–Part 1, which is the lightest of the three. There are a handful of new featurettes, including “Utilitarian Chic,” a good 14-minute look the film’s production design and special effects, and “Combat Zone,” a 12-minute featurette that explores the larger war that becomes the subject of the final two films in the series.

    Copyright ©2016 James Kendrick

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    All images copyright © Lionsgate

    Overall Rating: (3)




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